
From there it's more of the same cacophonous indie rock. The mixture of guitars, drums and layered vocals are always pushed into the red. Even on the mid-tempos, The Love Language doesn't leave an ounce of silence in the mix. Either a bedrock of keyboards layers things over, or some actual horns are peppered in.
Unfortunately, the band never matches the energy of that first track. In my head, Stuart McLamb as a frontman is too subdued. The layered vocals/sounds may be there to mask his overt mellowness. And lyrically, everything is muddled to much in the mix to tell if there's a song to singalong to. "On Our Heels" is an example of one that could have been a fun '80s pop throwback, but goes back into modern indie rock chamber echo.
The closer, "Pilot Light" is more epic in feel. So it earns is over distorted sound. A Christmas-y feel with chimes and bells mixed in with its horns and strings. It's probably a rallying cry for the gathering of friends. But the album as a whole left to big a hole in the middle of its intro and end. The filled that space with a lotta sound and too little of memorable songs. (2.5 of 5 stars)
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